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These pioneering essays provide an overview of psychological aesthetics and Kunstwissenschaft.
- Sales Rank: #3167230 in Books
- Published on: 1993-12-01
- Original language: English
- Number of items: 1
- Dimensions: 10.20" h x 1.00" w x 7.50" l, 2.35 pounds
- Binding: Paperback
- 342 pages
Language Notes
Text: English (translation)
Original Language: German
Most helpful customer reviews
11 of 11 people found the following review helpful.
Great intro text to Empathy (Einfuhlung)
By Wildeguy
The introduction to this book is very dense and, well, German. It begins with an overview of the Kantian aesthetic and Hegelian shifts. Moing on to an excellent overview of the late nineteenth century covering the thought of many different writers as they all converge on the three topics in the title: empathy, Form, and space.
Highly recommended for graduate students interested in empathy studies and art historians as well since so much of art history (esp. Wolfflin) is influenced by the tradition of empathy studies. The six sections are devoted each to a selection from each writer:
Robert Vischer "On the Optical Sense of Form: A Contribution to Aesthetics"
Conrad Fiedler Observation on the Nature and History of Architecture
Heinrich Wolfflin Prolegomena to a Psychology of Architecture
Adolf Goller What is the Cause of Perpetual Style Change in Architecture
Adolf Hildebrand The Problem of Form in the Fine Arts
August Schmarsow The Essence of Architectural Creation
This book is worth much more than it sells for since it includes such rare pieces in translation. It really should be in the library of any student of architecture, art history, aesthetics, and empathy theorists. Mallgrave and Ikonomou really deserve the highest praise for making this available to students.
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